legal-compliance
legal compliance
video-production
Professional video production from planning to delivery. Use when creating video content, editing workflows, motion graphics, or optimizing video for different platforms.
Full skill instructions
Comprehensive guide for professional video production across all platforms.
| Phase | Activities | Deliverables |
|---|---|---|
| Pre-Production | Planning, scripting, storyboarding | Script, shot list, schedule |
| Production | Filming, recording | Raw footage, audio |
| Post-Production | Editing, VFX, color, sound | Final deliverable |
SCENE 1 - INT. OFFICE - DAY
Wide shot of open office space. ALEX (30s) sits at desk.
ALEX
(looking at screen)
This is where the magic happens.
CUT TO: Close-up of computer screen showing code.
NARRATOR (V.O.)
In today's tutorial, we'll cover...
| # | Scene | Shot Type | Description | Duration | Notes |
|---|---|---|---|---|---|
| 1 | Intro | Wide | Office establishing | 3s | Natural lighting |
| 2 | Intro | Close-up | Subject face | 5s | Eye contact |
| 3 | Demo | Screen capture | Code editor | 30s | 1080p60 |
┌─────────────────────────┐
│ [Rough sketch] │
│ │
│ ┌───┐ │
│ │ O │ ←Subject │
│ └─┬─┘ │
│ │ │
├─────────────────────────┤
│ Shot: Medium close-up │
│ Action: Subject speaks │
│ Audio: Dialogue + music │
│ Duration: 5 seconds │
│ Notes: Eye-level angle │
└─────────────────────────┘
FRAMING:
┌─────────────┐ ┌─────────────┐ ┌─────────────┐
│ │ │ ┌───┐ │ │ ┌─────┐ │
│ ┌───┐ │ │ │ O │ │ │ │ O │ │
│ │ O │ │ │ └─┬─┘ │ │ │ │ │ │
│ └─┬─┘ │ │ ─┼─ │ │ └──┬──┘ │
│ ──┼── │ │ │ │ │ │ │
│ /│\ │ │ / \ │ └─────────────┘
│ / │ \ │ │ / \ │
│ / │ \ │ └─────────────┘ CLOSE-UP (CU)
│ / │ \ │
└─────────────┘ MEDIUM (MS)
WIDE/FULL (WS)
EXTREME CLOSE-UP (ECU): Eyes, details only
MEDIUM CLOSE-UP (MCU): Head and shoulders
OVER-THE-SHOULDER (OTS): Person from behind another
TWO-SHOT: Two subjects in frame
| Movement | Description | Effect |
|---|---|---|
| Pan | Horizontal rotation | Reveal, follow action |
| Tilt | Vertical rotation | Reveal height, power |
| Dolly | Move toward/away | Intimacy, reveal |
| Truck | Move left/right | Follow alongside |
| Crane | Vertical elevation | Epic, establishing |
| Zoom | Focal length change | Focus attention |
| Handheld | Natural movement | Documentary feel |
| Steadicam | Smooth handheld | Following shots |
EXPOSURE
│
┌──────────────┼──────────────┐
│ │ │
▼ ▼ ▼
┌─────────┐ ┌─────────┐ ┌─────────┐
│ ISO │ │Aperture │ │ Shutter │
│ 100-12800│ │ f/1.4-22│ │ 1/30- │
│ │ │ │ │ 1/8000 │
└────┬────┘ └────┬────┘ └────┬────┘
│ │ │
Sensitivity Depth of Motion
(noise) Field blur
| Setting | Standard | Notes |
|---|---|---|
| Resolution | 1080p, 4K | Match delivery target |
| Frame Rate | 24, 30, 60 fps | 24=film, 30=TV, 60=smooth |
| Shutter Speed | 1/2x frame rate | 180° rule (1/48 for 24fps) |
| ISO | As low as possible | Higher = more noise |
| Bit Rate | 50-400 Mbps | Higher = better quality |
| Codec | H.264, H.265, ProRes | ProRes for editing |
KEY LIGHT
│
│ (45° angle)
│
▼
┌────────────────────────┐
│ │
FILL │ 👤 │ BACK LIGHT
LIGHT│ Subject │ (rim/hair)
│ │
└────────────────────────┘
│
│
CAMERA
| Light | Purpose | Intensity |
|---|---|---|
| Key | Main illumination | 100% reference |
| Fill | Soften shadows | 50-75% of key |
| Back | Separation from BG | Variable |
| Style | Key:Fill Ratio | Mood |
|---|---|---|
| High key | 1:1 to 2:1 | Bright, optimistic |
| Medium | 3:1 to 4:1 | Natural, neutral |
| Low key | 8:1+ | Dramatic, moody |
Kelvin Scale:
1800K ████████░░░░░░░░ Candlelight (warm)
2700K ██████████░░░░░░ Tungsten bulb
3200K ███████████░░░░░ Halogen
4000K ████████████░░░░ Moonlight
5600K ██████████████░░ Daylight (neutral)
6500K ███████████████░ Overcast
10000K ████████████████ Blue sky (cool)
| Element | Target Level | Notes |
|---|---|---|
| Dialogue | -12 to -6 dB | Peak at -6 dB max |
| Music | -18 to -12 dB | Under dialogue |
| SFX | Variable | Support the story |
| Noise floor | Below -60 dB | Record room tone |
| Type | Best For | Pattern |
|---|---|---|
| Lavalier | Interviews, dialogue | Omnidirectional |
| Shotgun | Film, documentary | Super-cardioid |
| Condenser | Voiceover, studio | Cardioid |
| Dynamic | Loud sources | Cardioid |
1. INGEST
└─→ Import footage, create proxies if needed
2. ORGANIZE
└─→ Label clips, create bins/folders, log selects
3. ROUGH CUT
└─→ Assemble story structure, timing
4. FINE CUT
└─→ Tighten edits, pacing refinement
5. PICTURE LOCK
└─→ No more timeline changes
6. COLOR
└─→ Correction, grading, look development
7. AUDIO MIX
└─→ Levels, EQ, compression, spatial
8. TITLES/GFX
└─→ Lower thirds, motion graphics
9. EXPORT
└─→ Final render, quality check
| Software | Best For | Platform |
|---|---|---|
| DaVinci Resolve | Color grading, full edit | All (Free tier) |
| Adobe Premiere | Industry standard | All |
| Final Cut Pro | Mac ecosystem | macOS |
| Avid Media Composer | Broadcast, film | All |
| iMovie | Beginners | macOS/iOS |
| CapCut | Social media | Mobile/Desktop |
| Cut | Description | Use |
|---|---|---|
| Hard cut | Instant transition | Standard, dialogue |
| J-cut | Audio leads video | Natural dialogue flow |
| L-cut | Video leads audio | Reaction shots |
| Jump cut | Same angle, time skip | Pacing, style |
| Match cut | Visual similarity | Transitions, meaning |
| Cutaway | Insert shot | Context, time compression |
1. CORRECTION (Primary)
- Fix exposure, white balance
- Balance shots in scene
- Create neutral baseline
2. MATCHING
- Match shots within scenes
- Consistent skin tones
- Scene-to-scene continuity
3. GRADING (Secondary)
- Creative look development
- Selective adjustments
- Style application
| Scope | Shows | Use |
|---|---|---|
| Waveform | Luminance levels | Exposure, contrast |
| Vectorscope | Hue, saturation | Skin tones, color cast |
| Histogram | Tonal distribution | Clipping, balance |
| Parade | RGB channels separate | Color balance |
Types:
- Technical LUT: Log to Rec.709 conversion
- Creative LUT: Stylistic look (film emulation)
- Calibration LUT: Monitor/display correction
Application Order:
1. Input LUT (log conversion)
2. Primary correction
3. Secondary grading
4. Creative LUT
5. Output LUT (delivery spec)
| Principle | Application |
|---|---|
| Easing | Smooth starts/stops (ease in/out) |
| Anticipation | Setup before action |
| Follow-through | Motion continues after stop |
| Secondary action | Supporting movements |
| Timing | Speed conveys weight/mood |
| Staging | Clear presentation |
/* Easing functions */
ease-in: slow → fast
ease-out: fast → slow
ease-in-out: slow → fast → slow
linear: constant speed
/* Standard durations */
Quick: 150-200ms (micro-interactions)
Normal: 300-400ms (standard transitions)
Slow: 500-800ms (emphasis, reveals)
┌────────────────────────────────┐
│ ┌──────────────────────────┐ │
│ │ ┌────────────────────┐ │ │
│ │ │ │ │ │
│ │ │ TITLE SAFE │ │ │
│ │ │ (80%) │ │ │
│ │ │ │ │ │
│ │ └────────────────────┘ │ │
│ │ ACTION SAFE │ │
│ │ (90%) │ │
│ └──────────────────────────┘ │
│ FULL FRAME (100%) │
└────────────────────────────────┘
| Platform | Resolution | Frame Rate | Format |
|---|---|---|---|
| YouTube | 1080p/4K | 24-60 fps | H.264/H.265 |
| Instagram Feed | 1080×1080 | 30 fps | H.264 |
| Instagram Reels | 1080×1920 | 30 fps | H.264 |
| TikTok | 1080×1920 | 30 fps | H.264 |
| 1280×720+ | 30-60 fps | H.264 | |
| 1920×1080 | 30 fps | H.264 | |
| Broadcast | 1080i/p | 29.97/25 fps | ProRes/DNxHD |
Web Delivery:
- Codec: H.264
- Container: MP4
- Bitrate: 10-20 Mbps (1080p), 35-68 Mbps (4K)
- Audio: AAC, 320 kbps
- Sample rate: 48 kHz
Archive/Master:
- Codec: ProRes 422 or DNxHD
- Container: MOV
- Audio: Uncompressed PCM
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