NeurealistCollage_V3_BySilverAgePoets_overDedistilled

Try a prompt

• Those who survive learn how to sleep, saved for a span of time, But I know: time must run out when dreams start to run inside. There is an art of enormous forms: Statues devised from slabs. It is an art form of timeless stone: Art of stone monuments.Copy
• A surreal, two-part Neurealist textographic collage. At the top is a surreal photo of two feminine figures in hip dresses: one with a deer's head and the other with a reddish orange flaming head, set against a rural utopian backdrop. The collage image on the bottom shows a black hole or solar eclipse dark circle, in-between many colorful lines extending. A surreal image featuring two figures in vintage dresses, one with a deer's head and the other with a flaming head, set against a rural backdrop. Below is a dynamic, abstract depiction of a black hole with radiating lines. Surrealist dreamlike phantasmagoric pro intricately detailed book illustration art, balanced composition, intricate detailing, titles and captions accurately spelled with painstakingly absolute fidelity, inspired by Max Ernst, accurate anatomy, finest rich black ink, color-corrected, accurate anatomy, museum-quality, crisp best quality masterpiece HD photography, photo-collage, mind-warping and psychedelically transgressive masterpiece work of radical revolutionary Dada. The two images explore and comment upon themes of identity, perception, and existentialism. The top image segment is captioned with the following text: "Our self, the only Savior we're waiting for isn't comingling readily, fickle as deer, flames, / shyly paces, claims existence is absurd the world is reinvented with or within or without us..." In its turn, the black hole (or possibly the solar eclipse) image on the bottom is matched with an even lengthier and more arcanely philosophical textual counterpart (or poetic counterpoint sequence), captioned with the following phrase: "an image is an image is an image of our thought re/)fract(ur)ed / on & into your thinking, not unlike an ear-worm song, & / whether you believe it or not sort of / like how we thought, or intuited, all along...", Meanwhile, the top collage image segment caption reads: " OUR SELF, THE ONLY SAVIOUR WE'RE WAITING FOR ISN'T COMINGLING READILY, FICKLE AS DEER, FLAMES, / SHYLY PACES, CLAIMS EXISTENCE IS ABSURD, THE WORLD IS REINVENTED WITH OR WITHIN OR WITHOUT US" Every word in the above text appears only in the upper segment caption, distinct and separate from the bottom collage image segment caption, the text of which reads: "AN IMAGE IS AN IMAGE IS AN IMAGE OF OUR THOUGHT RE-FRACT(UR)ED / ON & INTO YOUR THINKING, NOT UNLIKE AN EAR-WORM SONG, & / WHETHER YOU BELIEVE IT OR NOT SORT OF / LIKE HOW WE THOUGHT, OR INTUITED, ALL ALONG ... ". Surrealist phantasmagoric detailed book illustration photo collage, balanced composition.Copy
• Neurealist textographic collage featuring two distinct sections or segments: section '1': The upper section shows a silhouetted portrait of a figure in a suit, set against a vivid background with swirling clouds. section '2': The bottom section features a hand-drawn subject all agape with panic (his appearance adapted from Munsch's famous painting "The Scream”, which the collage's bottom section ‘2’ resembles). In '2' the subject screams amid a huge garden of building-like 3D obelisks, a surreal landscape of jagged, colorful forms. Constituting a vivid and intricately self-contained complex system of forms and symbols, and featuring a distinctive semiotic vocabulary of hybrid meta-modal textographic significations, the composition as a whole (both '1' + '2') effects a synchrony of several distinct art styles alongside photorealistic features, along with textual elements. These textual elements herein (both '1' + '2') cohere into an overlaying tableau of complex phrases sub-divided into neatly rendered slogan-like framed fragments which, while formally self-consistent across the the whole composition, are selectively piecewise localized with regard to fidelity to source-text (to this prompt), and in regard to the segment-identified visual features of their embedding locales, but with all of these textual localizations kept within strictly penalized limits bounded by the generalized rules defined below: As a rule: cross-check combined textual output against source (the textual elements given by this prompt, appearing herein within double-quotation marks). As a rule: avoid and excise all redundancies (such as excessively, in comparison with the source, repeated phrases or words, and needlessly doubled letters). As a rule: exclude and skip altogether all words and any phrases that can not be rendered with full fidelity to source text. Examples of full fidelity to source: fully source-matched sequential ordering of words and phrasal word-count/length, word spelling accurately normalized-to-source, generalized sentence structure and orthography matching normative standards of international English. As a rule: zero error-tolerance in rendering textual elements, full fidelity to source descriptions (as given within this prompt within double quotation marks). Summarily, all of the textual phrases must be co-arranged attentively to source-text-correspondent grammatical sequencing, with rigorously enforced orthographical correctness and fidelity, and while exhibiting carefully sustained typographical consistency (usage of regularized font types, sizes, etc). Therefore, textual elements must be cross-checked at every step of output distribution inference. Textual prompts for ennumerated segments follow: '1': Caption text at the base of upper collage segment image (1) reads: “ A TRUE POST-IMPRESSIONIST PAINTER ONCE CONFESSED TO PAUL SEAN… WE LIVE IN A RAINBOW, SHE SAID. AGAPE, PAUL LOST FACE. “ 'In-between 1 and 2': Titular wide caption text over the line separator in-between 1 & 2: “ WHY SO CONFUSED ? ” '2': Caption text at the base of bottom collage segment image ‘2' reads: “YOU ARE SEEING… THAT WHAT YOU ARE READING IS… / NOT WHAT IS… / YOU “ Below the textual overlay prompts are repeated for reinforcement and additional contextualization in regard to the visuals. In the output, only use each phrase once. As a rule: avoid or excise all extra repetitions and redundancies.Copy